INFORMATION
Barbara Vignaux, (she/her)
Through her lens of a product designer, Barbara uses art, installation and performance as a method of research and expression to understand and communicate her work, and is keen to collaborate concretely with actors who take
on different role within the community she is work with at the moment.
She offers product design service and a scope of visualisation services for the aim fo company and research :
- Product design
- Upstream multidisciplinary research (anthropological, historical, inspirational, including benchmark)
- Design Consultation
- Visual identity design
- Creation of inspiring visuals to immerse internal teams
Additionally she already worked for
a variety of clients from entrepreneur to major
corporations such as L’Oréal, La Monnaie de Paris (Boulle) or Prisma Media, on product design and branding questions.
Send an email to request a quote and discuss your project!
CONTACT
AN IMAGINARY PLAYGROUND
00:15:04
Language: Dutch, sub. English
AD : Barbara Vignaux
Filmmarker : Floris Harteveld
animator of the game : Olga korosteleva
Thanks you :
Dynamo Eindhoven, Nicole Van Dijk, Rosa Beerens
Diploma Project 2022-2023, Design Academy Eindhoven
00:15:04
Language: Dutch, sub. English
AD : Barbara Vignaux
Filmmarker : Floris Harteveld
animator of the game : Olga korosteleva
Thanks you :
Dynamo Eindhoven, Nicole Van Dijk, Rosa Beerens
Diploma Project 2022-2023, Design Academy Eindhoven
The film An Imaginary Playground playfully criticizes the Eindhoven municipality for its approach tocreating a playground. Commonly, city playgrounds are designed under administrative guidance, prioritizing safety measures and budgets over the essence of play. This emphasis on safetyovershadows the social and cultural significance of play, while also reinforcing bureaucratic processes. Barbara Vignaux invited children to re-enact the process of making the playground. The film highlights the divergence between the instinctive reactions of actual children and how they are represented in the playgrounds’ catalogues. Confronting the seriousness devoted to bureaucratic tasks demonstrates how the infrastructure of play overshadows the activity of play itself.
